Meet the Music Faculty
Dr. Barb Berwin
Dr. Barb Berwin is a Professor of Music at Central Methodist University in Fayette, Missouri, where she teaches Music Appreciation, Aural Skills, Keyboard Techniques, and piano lessons. She earned a Bachelor of Science degree in Music and Religion from Dana College in Blair, Nebraska; a Master of Music degree in Piano Performance from the University of Nebraska in Lincoln; and a PHD in Curriculum and Instruction from the University of Missouri in Columbia.
Dr. Patrick Dill
Dr. Patrick Dill is the director of choral activities and assistant professor of choral music education at Central Methodist University, where he directs the Chorale and Conservatory Singers and teaches music education courses. Previously, he served as director of choral activities and coordinator of choral music education at Carroll University (WI) and as the associate director of choral activities and assistant professor of voice at Northwestern State University of Louisiana. Dr. Dill has extensive experience conducting church and community choirs, most recently as the director of music at First Congregational Church in Wauwatosa (WI) and as the artistic director of Our Voice Milwaukee Men’s Chorus. Dr. Dill is also a countertenor and founding member of Milwaukee-based early music ensemble, Vox Antiqua , and made his solo debut with the Austin Baroque Orchestra in January 2015.
Dr. Dill began his career as the assistant choir director at Alief Hastings High School in Houston, Texas. Two years later, he joined the fine arts faculty at Anderson High School in Austin as director of choirs and coordinator of AP music theory & International Baccalaureate music. During his tenure at Anderson, choirs under his direction performed at the 2004 and 2008 ACDA Southwest division conventions and the 2007 Music Educators National Conference (MENC) Southwest Symposium. In 2005, he was awarded the Silver Apple Award for excellence in teaching by the CBS affiliate in Austin, KEYE News. Additionally, he conducted the NSU Lyric Women’s Chorus in their first ever performance as an auditioned choir at the Louisiana state conference of the American Choral Directors Association (ACDA) in October 2014.
With an active schedule as a clinician and adjudicator, Dr. Dill has presented interest sessions at the Texas Music Educators Association, Louisiana-ACDA, Wisconsin Choral Directors Association, and Southwest MENC conventions and is a sought-after honor choir conductor. His research in the area of historical choral pedagogy has been presented at the Benjamin Britten at 100: An American Centenary Symposium in November 2013 and the Music of the Americas Choral Symposium in May 2013. Dr. Dill was the recipient of the Prince Endowed Professorship in Choral & Vocal Music and also the Mildred Hart Bailey Outstanding Faculty Research Award during his time at NSU. As a composer and arranger, Dr. Dill is currently working on several commissions, and his first published work, Praise to the Lord was released by Choristers Guild in Fall 2013.
He holds a doctoral degree in choral conducting with a related field in voice performance from the University of North Texas, a master’s degree in choral conducting from Westminster Choir College, and a bachelor’s degree in music education from Millikin University. Dr. Dill has studied choral conducting with Brad Holmes, Andrew Megill, Joe Miller, Jerry McCoy, and Richard Sparks.
Dr. Kristin Newbegin
Active as a soloist and chamber musician, Soprano Kristin Newbegin has recently been featured as Mimì with Opera 180 in their “re-imagined classic” (KC Independent) production of La Bohème. The fall of 2018 brought her to the Lyric Opera of Kansas City to sing the role of Miss Pinkerton in The Old Maid and the Thief.
Newbegin has an affinity for new music. She currently sings with The Meadowlark Project, a new contemporary music ensemble, whose mission is to bring fresh classical music to new audiences. The ensemble recently commissioned and recorded “There Will Come Soft Rains” in partnership with Reach Out Kansas, The Spencer Art Museum, and composer Allison McIntosh. The 2018-2019 season took The Meadowlark Project on a tour of Kansas with “Sounds of the Plains”, a recital featuring newly commissioned art songs by Kansas-based composers and poets. Newbegin is also an active choral singer and was a member and featured soloist in Kantorei KC, a Kansas City based professional choral ensemble, during the 2018-2019 season. She has also sung with KC Vitas as a featured soloist and recorded newly commissioned works, including several premieres.
Additionally, Newbegin has sung with companies such as Des Moines Metro Opera, Lyric Opera Kansas City, Opera for the Young, Kantorei KC, New Ear Contemporary Music Ensemble, Opera 180, Kansas City Metro Opera and Seagle Music Colony. Previous roles have included Mimì (La Bohème), Donna Anna (Don Giovanni), Rosalinda (Die Fledermaus), Pamina (Die Zauberflöte), Female Chorus (Rape of Lucretia) and Donna Elvira (Don Giovanni).
She received her Doctorate and Master of Music degrees from the University of Kansas where she studied under Joyce Castle. Newbegin currently serves as Assistant Professor of Voice at Central Methodist University in Fayette, MO. She has also served on faculty at Missouri Western State University, Benedictine College, and Haskell Indian Nations University. As a NASM certified personal trainer, her research interests include the application of proprioception and somatics in the vocal studio. In her free time she enjoys knitting, fostering dogs, and racing as a competitive cyclist.
Dr. John Perkins
Dr. John D. Perkins teaches applied trumpet and horn, brass pedagogy, music history, and coaches brass ensembles. Perkins' CMU applied students have won the Collegiate Brass Solo Young Artist Award at the Music Teachers National Association and the Missouri Music Teachers Association competitions. His students are frequent soloists with the CMU Concert Band, and his brass ensembles perform repeatedly on band concerts and tours. Under his direction, the CMU Trumpet Ensemble was selected and performed at the 2014 International Trumpet Guild Conference at King of Prussia, PA. Adjudicating frequently at solo and ensemble contests, Perkins enjoys working with younger brass players. He directs the trumpet clinics for the biennial CMU Invitational Brass Conference and offers trumpet lessons and high brass clinics to middle and high school students. Perkins has held trumpet positions and performed with a multitude of orchestras, most recently the Missouri Symphony Orchestra, Odyssey Chamber Music Series Orchestra, and Columbia Civic Orchestra. He has been a member of/performed with the 9th Street Philharmonic, Abilene Philharmonic, Johnstown Symphony, York Symphony, Victoria Bach Festival Orchestra, Mid-Texas Symphony, Kerrville Symphony, St. Cloud Symphony, and the Heartland Symphony. He held the principal trumpet position with the Shippensburg Festival Symphony Orchestra for fifteen years, as well as two seasons with the San Angelo Symphony. He has performed several works as world or U.S. premieres with various ensembles. Regionally in mid-Missouri, Perkins has played lead trumpet in forty musical productions, most recently at the Arrow Rock Lyceum Theatre, CMU’s Little Theatre, MU’s Summer Rep Theatre productions, Stephens College, and Video Games Live. Additional chamber ensembles include the Southside Philharmonic Champion Brass, Odyssey Chamber Music Series, Missouri Consortium Brass, Cumberland Valley Chamber Players, Summit Brass Ensemble, and several brass quintets and ensembles. He has performed at the International Trumpet Guild Conference and has over a dozen recording reviews articles published in the ITG Journal. Perkins has made several solo appearances, some of which include the CMU Concert Band, Karl King Band, Marshall Philharmonic, Hagerstown Municipal Band, Grand Sousa Festival Band, Angelo State University Wind Ensemble, Shippensburg University Concert Band, and the St. Cloud State University Concert/Chamber Band. He has played the National Anthem at minor league baseball games, including the Harrisburg Senators, Frederick Keys, and the Hagerstown Suns. He frequently enhances church services through his playing. His primary teachers include Raymond Crisara, John Aley, Albert Moore, and he studied briefly with Frank Kaderabek and Don Jacoby.
Dr. Susan Quigley-Duggan
Susan Quigley-Duggan is Professor of Voice and Opera at Central Methodist University’s Swinney Conservatory of Music where she has taught voice, diction, vocal repertoire, vocal pedagogy and opera workshop and literature since 2006. Previously, Dr. Quigley-Duggan taught voice and opera on the faculty at The University of Connecticut where she also received her doctorate. In the New England region, Susan has performed in musical theater, opera, operetta, recitals, chamber concerts and oratorio. She has performed as soprano soloist with The UConn Chamber Singers and with the CMU Conservatory Singers and Chorale and for numerous churches.She performed as narrator/ actress of the Hartford Symphony Kids/Touring program in the Hartford CT Schools. She was also the Opera Director for the Young Artist Express of the Connecticut Opera and prepared opera previews for Opera New England during her time in CT. She also spent three summers directing young professionals in musical showcases and opera at the summer resort, Quisisana in Maine. At Central Methodist University Dr. Duggan has directed seven of Gilbert and Sullivan's operettas, including The Pirates of Penzance, HMS Pinafore, The Gondoliers, The Mikado, Iolanthe, Patience and Trial by Jury and A Topsy-Turvy Showcase and numerous showcases and scene program. She has received numerous MAC and F.A.CT. grants to fund her summer operetta productions. She has also directed The Magic Flute, The Marriage of Figaro, Cosi fan tutte, Trouble in Tahiti, Hansel and Gretel and La Vera Costanza and Die Fledermaus for The UConn Opera. Dr. Quigley-Duggan is the student advisor for The Student National Association of the Teachers of Singing and is President of the newly formed Mid-Missouri NATS chapter and for 12 years was the VP of Publications for MMTA Notes. She has presented voice faculty recitals at MU, UCM, Lincoln University, Columbia College and CMU and vocal master classes at the UCM, UConn, MSU, Lincoln University, and Saint Charles and State Fair Community Colleges. Dr. Duggan enjoys collaborating on recitals with other music faculty while discovering new vocal repertoire for performance. Her vocal students have placed as college division winners at the Central Regional NATS, MO State NATS and Kansas City NATS and three of her vocal students were selected as state winners of the MMTA and MTNA Young Artist and Senior Voice Division as well as first and second place winners of undergraduate and graduate college MMTA divisions. Dr. Duggan has adapted newly abridged opera versions of The Impresario, The Magic Flute and Cosi fan tutte for undergraduate college opera workshops. She also directs showcases such as A Valentine Toast to Opera and Musicals and A Grand Night for Singing and, A Magical Night of Operetta Delights. In 2018, Dr Duggan directed a G&S in operetta pastiche, entitled ‘Hail Poetry, Pirates and Gondoliers.” for the CMU Opera Workshop. In 2019 she directed and “A Valentine Toast to Broadway” and 2020 Dr. Duggan directs The CMU Opera Workshop in Gilbert and Sullivan’s The Mikado in The Little Theater.
Dr. Melissa Loehnig Simons
Active as a solo pianist, chamber musician and collaborative performer, Dr. Melissa Loehnig Simons is currently on faculty as Associate Professor of Music in Piano and Theory at Central Methodist University in Fayette, Missouri. She spent five summers employed as a staff pianist at the American Institute of Musical Studies (AIMS) in Graz, Austria. She now spends her summers as a part of the piano faculty for the Red Lodge Music Festival, held in Red Lodge, Montana. During the summers while pursuing her degrees, she was chosen from a national field of applicants for the Opera Theatre Music Festival of Lucca (Italy), the Baldwin-Wallace Art Song Festival, and for the highly competitive Songfest Program in Malibu, California. Dr. Simons has performed throughout the United States, including recently with Choral Arts, a semi-professional chorus based in Seattle, with whom she performed the world premiere of William Averitt’s The Dream Keeper, for chorus and piano four hands. Dr. Simons has performed as a guest artist for the Spokane Steinway Gallery, Eastern Oregon University, Clarke University, and the El Paso Summer Music Festival. She has also been invited to do guest artist work with the University of Washington Chamber Singers and the University of Missouri-Kansas City Conservatory Singers. She is featured on two recently released CD recordings: Chimera produced by Albany Records and Mornings Like This produced by the Gothic Recording Label. In February of 2011, representing Florida State University as a part of the Promising Artists of the 21st Century program, Dr. Simons was awarded the opportunity to travel and perform (along with soprano, Dr. Christina Villaverde) throughout the country of Costa Rica. This program is held as part of a collaboration between Florida State University and the North American Cultural Center in Costa Rica. Along with performing, Dr. Simons and Dr. Villaverde held several masterclasses at the University of Costa Rica, the Opera de camara de Costa Rica, the Escuela Municiple de Artes Integradas en Santa Ana EMAI, and the Centro Cultural Jose Rigueres in San Ramon. This concert tour also included the Latin-American premiere of Libby Larsen’s My Antonia. Dr. Simons has had the honor of working with such musicians as Rachel Barton Pine, Warren Jones, Martin Katz, Graham Johnson, Barbara Bonney, Christa Ludwig, Stephanie Blythe, Margo Garrett, Jake Heggie, and many others. Dr. Simons received her Bachelor of Arts degree in Piano Performance, graduating with honors from Whitman College. She also holds a Master of Music degree in Collaborative Piano from Florida State University and has completed her Doctor of Music degree in Piano Performance with a focus on collaborative piano from the same institution.
Roy D. "Skip" Vandelicht
Skip Vandelicht is an Associate Professor of Music and the Director of Bands at Central Methodist University. He was appointed in 2008 after teaching for 31 years in the Fayette R-III School District. Skip received his Bachelor of Music Education degree from Central Methodist College (University) in 1977, and a Master of Education degree from the University of Missouri-Columbia in 1984. The Fayette High School Band earned numerous honors and awards, including playing for the Missouri Music Educators Association Convention four times, under his leadership. Besides his tenure at Fayette, Prof. Vandelicht also served as Adjunct Marching Band Director at CMU from 1983-1995. A native of Fulton, Missouri, he served from 1992-1994 as Chairman of the Missouri All-State Band for the Missouri Bandmasters Association and from 1994-1996 as President of MBA. Prof. Vandelicht is an instrumental music adjudicator trainer for Missouri State High School Activities Association as well as a member of the MSHSAA Prescribed Graded Music List and Sight Reading Committees. Skip also served MMEA Band Vice-President from 2008 – 2010 and College/University Vice-President from 2014-2016. Prof. Vandelicht received the Outstanding Young Alumni Award from Central Methodist in 1990, the Bandworld Legion of Honor Award in 2004, and the National Federation of High School Activities “Music Educator of the Year Award for Missouri 2008”. Skip was inducted into the Missouri Bandmasters Association Hall of Fame in 2013, received a Gold Chalk Award for excellence in teaching from CMU in 2013 and the Carolyn and Tad Perry Fellow Award from CMU in 2014. Skip was inducted into the Missouri Music Educators Association Hall of Fame in January 2020. Prof. Vandelicht is an active clinician, adjudicator and conductor for bands in Missouri and surrounding states. Skip and his wife Melody reside in Fayette and have two children and five grand children.
Dr. Dori Waggoner
Dr. Dori Waggoner serves as Dean of the Swinney Conservatory of Music and chair of the Fine Arts Division. In addition to administering the division, she enjoys teaching theory courses and mentoring freshmen in the First Year Experience program. Prior to seeking an advanced degree, Dori spent several years directing bands in the public schools of Missouri. Her students experienced success performing solos and chamber works at both the district and state levels. Concurrently, her bands earned numerous superior ratings and were consistently awarded top honors in a variety of music festivals. She remains active as a clinician, presenter, and conductor. Dori has presented music education research and practitioners’ clinics at the conferences of the National Association for Music Educators, the Missouri Music Educators Association, the Missouri Bandmasters Association, the Kansas Music Educators Association, and the Kansas Bandmasters Association. Her research interests include error detection skills and pre-service music teacher training. She has been published in both the Journal for Research in Music Education and The Instrumentalist.
Dr. David Witter
Dr. David James Witter is a composer, instrumentalist, and educator active in jazz, rock, and new music scenes in Kansas City and Columbia, MO, and he holds a DMA in Music Composition from the UMKC Conservatory of Music and Dance. His award-winning music has been performed across the country, and has been recorded by several industry luminaries, including NYC chamber orchestra Alarm Will Sound. More recently his activities have included earning prizes and commissions from the Mnemosyne Quartet and the UMKC Wind Symphony. In addition to spending time performing traditional and contemporary praise and worship music at the Crossing and Woodcrest churches in Columbia, and at First Christian and Concord Baptist Churches in Jefferson City, he keeps busy playing electroacoustic trombone and performing conducted improvisation works with various KC ensembles. Dr. Witter is excited by the possibilities for modern praise music in the worship experience. He is blessed to run a program at CMU that is close to one-of-a-kind, in its aim of producing professional contemporary music ministry practitioners, with hearts towards creating meaningful worship through their music. He lives in Columbia with his two kids, Owen and Olivia, and their beagle hound Francesco.
Dr. Alexandros Fragistakos
Dr. Alexandros Fragiskatos is Adjunct Professor of Percussion at Central Methodist University. His diverse musical training as a percussionist has led him to performances across the U.S. and Europe, including a solo percussion recital in Athens, Greece in 2018 and a Switzerland tour in 2016 with the Arizona Contemporary Music Ensemble. Dr. Fragiskatos has also commissioned and premiered new works in a variety of settings by composers like Stuart Saunders Smith, Peter Garland, and Tom DeLio. As an orchestral musician, Dr. Fragiskatos has performed with the Akron Symphony Orchestra, Richmond Symphony Orchestra, and Missouri Symphony Orchestra, among others. Beyond orchestral and contemporary music, he has performed in numerous musical theater shows, and has been playing steel pan (steel drum) for over a decade. Many of his steel band arrangements are published and have been performed across the U.S. and internationally. He has been featured as a guest artist with Phoenix College in 2017 and the University of Missouri in 2019. Dr. Fragiskatos is also a regular contributor to Percussive Arts Society’s digital publication, Rhythm! Scene. He is also Assistant Professor of Instrumental Music at Missouri Valley College. Prior to coming to Missouri, he taught at Grand Canyon University and the Maricopa County Community College District in Phoenix, AZ. Dr. Fragiskatos received his Bachelor of Music in percussion performance from the University of Cincinnati College-Conservatory of Music, his Master of Music in percussion performance from The University of Akron, and both his Doctor of Musical Arts in percussion and Certificate of Music Theory Pedagogy from Arizona State University. For more information and videos of performances, visit https://fragiskatospercussion.com/.
Dr. Alison Robuck
Dr. Alison Robuck, oboist, teaches at Central Methodist University and for the Missouri Symphony Conservatory, and she performs with the Odyssey Chamber Music Series. She has performed as a member and a soloist for the Missouri Symphony Orchestra, the Heartland Festival Orchestra, Sinfonia da Camera, the Champaign-Urbana Symphony, the Peoria Bach Festival, and the Baroque Artists of Champaign. She has performed with the Indianapolis Symphony, Illinois Symphony Orchestra, Dubuque Symphony Orchestra, Evansville Symphony Orchestra, and with the Peoria Symphony Orchestra. As oboe faculty for Ameropa, she has performed solo and chamber concerts in many locations in Prague including several in the Prague Castle, the Brevnov Monastery and in the Rudolfinum's Dvořák Hall. She was selected to attend the Sarasota Music Festival, Music Academy of the West, Aspen Music Festival, Texas Music Festival and the Bowdoin Music Festival. She studied oboe with Dr. Nancy Ambrose King, Robert Atherholt, and Dan Willett.
Jonelle (Jonie) Loehnig
Jonie began playing for worship services at the age of 13. She began her formal music studies with a church BME music degree from Baker University where her major instrument of study was organ. After Master studies at Eden Seminary, she served in pastoral ministry in the Christian Church (Disciples of Christ) for 25 years. She is an Adjunct Professor of Organ and Accompanist for Central Methodist University, Fayette, Missouri and accompanist for brass at University of Missouri, Columbia. She is also Organist/Pianist for St. Peter’s UCC, New Haven, Missouri. Internships were with Austin Lovelace and Schudi Pipe Organs, Dallas, TX. She is a member of the American Guild of Organists.
Praised for his “accentuated juxtaposition of lyrical lines and passage work” (The Clarinet Online), Lucas Willsie continues to make a name for himself as a soloist and pedagogue. Currently, Dr. Willsie teaches applied clarinet and bassoon at Central Methodist University’s Swinney Conservatory of Music in Fayette, MO. He completed his DMA in clarinet performance at the University of North Texas where he taught Woodwind Methods for undergraduate music education students. He has performed as a soloist across North America and Europe. Lucas has performed with the North Texas Symphony Orchestra and can be heard on several recordings as a member of the North Texas Wind Symphony including a recording of Gernot Wolfgang’s Three Short Stories as bass clarinet soloist. Lucas is a member of the Hijinx Clarinet Quartet which regularly performs around the United States with the goal of bringing a hybrid of musical experiences to diverse audiences using traditional chamber music, new compositions, multimedia, and more! He has performed with the Richardson Symphony Orchestra, the Sherman Symphony Orchestra, the Lone Star Wind Orchestra, and Lincoln's Symphony Orchestra. He also performed William Bolcom’s Concerto for Clarinet with the Truman State University Symphony Orchestra as a winner of the Gold Medal Concerto Competition. Lucas also holds a master's degree in clarinet performance from the University of Nebraska-Lincoln, where he was a Graduate Teaching Assistant, and bachelor's degrees in music education and clarinet performance from Truman State University. His primary teachers include Dr. Kimberly Cole Luevano, Dr. Diane Barger, and Dr. Jesse Krebs.
As a Freelance Performing Artist and Studio Instructor, Lisa Thill Franck has been kicking it in Columbia, Missouri since 1993. Not only does she play standard flute and piccolo, she is also accomplished on 17th Century Traverso (the Baroque Era flute). Ms. Thill established the LTF Flute Studio and has maintained 35 to 55 students in Columbia since she finished her Masters degree in 1995. Prof. Thill joined the team at CMU in 2015 as Adjunct Professor of Flute. Her musical collaborations include:
- 1996-present flutist for Sacred Heart Catholic Church in Columbia, MO
- 1997-2006 flutist for Our Lady of Lourdes in Columbia, MO
- June 1998 flutist for the Carlos Gomez Orchestra in Belém, Pará, BrazilIntermittently substitute flute/piccolo for Missouri Symphony
- 1999-2018 Thilman Duo with cellist Mary Manulik
- 2007-2012 Lirali Trio with violinist Lisbeth Yasuda and pianist Rachel AuBuchon
- 2010-present Totally Franck with guitarist Gordon Franck and vocalist Teeney Franck
- 2012-present Lira Duo with pianist Rachel AuBuchon
- 2013-2015 Lisa & Flute Kings with flutists Steven Geibel and Michael White
- 2014-2017 White Chocolate with jazz pianist Nancy Geibel
Inspired by Electric Flutist, Melissa Keeling in 2018, Lisa took up amplified flute and now uses loop machines. As a soloist Thill uses a Boss VE20 effects box with a Silver Bullet microphone and Roland Micro Cube amplifier. In collaboration with Totally Franck she uses the Boss RC300 Loop Station.
In her quest to become the Full Spectrum Flutist, Thill now uses the Glissando Headjoint for her jazz improv. In 2018 she started taking Extended Techniques for flute more seriously including beatboxing. Also at that time she finally made a commitment to learning how to Circular Breathe!
Lisa Thill Franck’s formal flute instructors include Marsha Neher and Beth Jensen of Wenatchee, Washington. She earned her Bachelor degree with Hal Ott at Central Washington University (1988-92) and her Masters at MIZZOU with Steven Geibel (1993-95). The aforementioned teachers provided masterclass experiences with Louis Moyse, John Barcellona, Web and Gail Coffee, Felix Schoronek, Roger Martin, Richard Hahn and Sandra Schoebel during her formative years.